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		   Paul’s 
		singing career started in the choir at Swaffham Junior School and then 
		Hamond’s Grammar School Swaffham, Norfolk.  He became a rock fan very 
		early, getting into Elvis and other rockers like Chuck Berry, 
		Little 
		Richard and Jerry Lee Lewis and was an early exponent of the air 
		guitar.   This was followed in 
		the 60’s by what has become a lifetime appreciation of Bob Dylan and 
		Joni Mitchell and a taste for the more R & B side of the British 
		'60’s 
		revolution with a liking for bands such as The Animals, The Rolling 
		Stones, The Who, and the Yardbirds.  It was at this time that he decided 
		that all musical instruments were too hard, except the microphone and 
		tambourine – “skills” he has retained to this day.    At university, Paul 
		was in several folk ensembles, doing Dylan covers mostly.  His claim to 
		fame from that time was to share the stage, briefly, with Julie Felix.   Paul didn’t 
		allow his career in the Ford Motor Company to interfere too severely 
		with the more important things in life and in 1969 he teamed up with 
		others to form The Dealer Planners.  This ensemble put on cabarets and 
		shows for staff and dealers and developed a highly successful rock ‘n’ 
		roll slot.  
		 Paul’s compulsion to 
		perform continued whilst with Ford in Italy and Australia and he could 
		be seen quite regularly at dealer functions and staff events.  In Italy 
		he developed a particular flair for Neapolitan songs, especially when 
		he’d had a few drinks.  Returning to England 
		and moving to Clare in Suffolk led to the famed 1995 impromptu “gig” at 
		Stoke College and meeting up with Tony 
		Eaton - the rest is history.    As a complete 
		contrast and antidote to 
		
		Jurassic Rock, Paul is also 
		the singer for Selion Jazz, a disparate group of musicians, as most jazz 
		bands are.  The repertoire consists of jazz standards and the light 
		fantastic – a mix of George Melly, Fred Astaire, Frank Sinatra and 
		Bryan 
		Ferry!  Paul’s musical 
		tastes are extremely broad, encompassing not only the repertoires of the 
		bands he sings with, but also extend to opera (especially Wagner and 
		Mozart) and all forms of classical music.   Having worked as the 
		Business Development Director of the Institute of Customer Service for the last 
		few years, Paul has recently moved into semi-retirement and now works as 
		a consultant.  This new role allows him to devote his time to the 
		important things in life and he looks forward to the increasing number 
		of gigs as 
		
		Jurassic Rock’s 
		 reputation spreads far and wide.   Paul is a larger 
		than life character and this is all too apparent during the band’s 
		performances.  He makes a significant contribution to decisions 
		concerning the choice of material and the occasional incisive remark 
		sometimes resolves problems associated with arrangements, but Paul’s 
		major contribution is playing live, when his ability to develop a 
		rapport with the audience is a major contribution to the band’s slick 
		performances.  His vocal range complements Tony’s, giving 
		Jurassic Rock 
		its broad spectrum of material, which 
		allows the band to play successfully at such a wide variety of 
		functions. 
		After 14 years, Paul left 
		
		Jurassic Rock  in October 2009. |